Please join us for a lecture by art historian Juli Carson, Professor of Art at the University of California, Irvine, where she directs the Critical and Curatorial Studies Program, and the University Art Galleries. Her talk “The Hermeneutic Impulse: Aesthetics of an Untethered Past” will be held on Tuesday, March 13 at 6:00 pm in College Hall, B1 (AUB) and is open to the public. See flyer below for details.
The MA in Art History and Curating program is pleased to be offering two new graduate courses for the Spring 2018 semester that are open to all AUB graduate students: AHIS 350A | The Curatorial-Temporalities & Politics and AHIS 315 | Issues in Global Art History. Learn more about these courses below.
AHIS 350A | SPECIAL TOPICS IN CURATING
The Curatorial – Temporalities and Politics
Prof. Beatrice von Bismarck, (Professor for Art History and Visual Culture at the Academy of Visual Arts Leipzig) will be joining the FAAH department for Spring 2018 as the Jabre Chair in Art History and Curating.
Students will learn to analyze exhibitions and curatorial practices and they will acquire curatorial skills by critically engaging with, reenacting, and curatorially commenting historical and contemporary exhibitions. Harald Szeemann´s show “The Bachelor Machines” (1975) will serve as paradigmatic case study.
AHIS 315 | Issues in Global Art History
Dr. Hala Auji, Assistant Professor of Art History (AUB)
The seminar situates the art historiographical canon and exhibition making practices in the wake of the global turn. It questions the Western historiographical canon while developing alternative models of global art historiography. Such models necessarily have to take into consideration the larger philosophical and political questions of what constitutes “the global” in the age of hyper-connectivity. The course introduces students to a variety of historiographical and exhibition practices that range from Latin America, the Middle East, South and East Asia, and Africa, to the former USSR. The course consists of preliminary thematic sessions followed by seminars devoted to regional case studies; this includes a discussion of specific exhibitions and related catalogues. This seminar would be of interest to graduate students from Art History and Curating, Anthropology, Arab and Middle Eastern Studies, English, and Media Studies.
Join the FAAH department for the upcoming ARTmargins conference “The Southern Question” on from November 3-4, 2017 between 11:00 am – 6:00 pm. Detailed conference program to follow.
Participants include: Karen Benezra, Nadia Bou-Ali, Lorenzo Chiesa, Octavian Esanu, Joshua D. Gonsalves, Angela Harutyunyan, Jiang Hongsheng, Sven Spieker.
The idea of the “South,” not only as a geographical or geopolitical designation, but also as a critical framework for art, has gained traction in recent years. To paraphrase the terms of the most recent Documenta exhibition, what might it mean to historicize the art and artistic networks of the colonial and post-colonial world as neither merely “places on a map” nor “states of mind” but from the point of view of their mutual implication in the concrete societies from which they emerge?
The “Southern Question” in our title alludes to two seemingly incongruous critical frameworks for approaching the potentially political role of art and intellectual production: while one evokes the movement towards political solidarity and economic autonomy uniting the emerging nation-states of the global south as part of the Cold War Non-Aligned Movement, the other takes as its analytical framework the intertwined material and ideological conditions of determinate national social formations. Seeking inspiration in Gramsci’s treatment of the Southern Question it aims to explore the potentials and limitations of the category of class for mass political organization.
Invoking the “Southern Question” is an invitation to consider the usefulness of the “South” as a category for the criticism, theory, and history of art. As hitherto marginalized art and social contexts become the common fare of particularized canons and global art markets, how shall we define the “marginal” in critical-methodological terms? What kinds of critical and artistic work might help us to seize the current moment of the disorganization and re-organization of capitalist hegemony? Bracketing inherited divisions within and between the fields of Marxism and post-colonial studies, we invite participants to help define the critical and methodological questions implied by the term “South.”
Join us for a free performance of Fortunat Frölich’s “About Love عن الحب” conducted by Thomas Kim (Chairperson and Assistant Professor of Music, FAAH) and Fortunat Frölich (choR inteR kultuR), and sung by Rima Kcheich (Instructor of Music, FAAH). The performances will take place on April 24 + 25, at 7:30 pm, in the AUB Assembly Hall.
Join us on Wednesday, April 5 at 6:00 pm in Auditorium A, West Hall for a public lecture entitled “The Trouble with Mobility: The Complex History of the So-Called Indian Wedding Chair” by Nancy Um, Associate Professor of Islamic art at Binghamton University, which is part of the AUB Art Galleries and the Department of Fine Arts and Art History’s Jabre Lecture Series in Art History and Curating .
Join us on Thursday, March 30 at 6:00 pm in College Hall, B1 for a public lecture entitled “Decisive Constructions: Art After the Crises of the Image” by Amanda Beech, Dean of Critical Studies at CalArts, which is part of the AUB Art Galleries and the Department of Fine Arts and Art History’s Jabre Lecture Series in Art History and Curating .
Amanda Beech will be visiting AUB from March 25th-April 7th, 2017, as a URB Visiting Scholar, co-hosted by the Department of Fine Arts and Art History and the Department of Philosophy.
See the PDF flyer for more details about the Jabre lecture: Beech Poster
Also join us on Friday, March 31 at 5:00-7:00 pm in College Hall, Auditorium B1 for a public screening of Beech’s video works Final Machine, 2013 and Sanity Assassin, 2010, which will be followed by a conversation with Ray Brassier (AUB, Philosophy) and Angela Harutyunyan (AUB, FAAH). Visit the following for more information about this event: https://www.facebook.com/events/680007578872779/
Please join us for two upcoming CAH/FAAH events that deal with Arabic print culture:
Tuesday, Feb 21: Book Discussion: Print Cultures in the 19th Century Islamic World
Time + Location: 5:00-6:30 PM, Building 37 (Center for the Arts + Humanities, AUB)
Discussants: Jan van der Putten (University of Hamburg) + Hala Auji (AUB)
Moderator: Bilal Orfali (AUB)
This event will be a public discussion of Hala Auji’s recent monograph on 19th century Arabic book culture, Printing Arab Modernity: Book Culture and the American Press in 19th Century Beirut (Brill: 2016), which is located in the interstices of art history, book and print culture, and studies of Arab modernity and Ottoman historiographies. Printing Arab Modernity examines the American Protestant mission’s Arabic publications printed in Beirut for Ottoman readers during a period dominated by Islamic and Christian manuscript practices. This book also explores the growing significance of the visual dimensions of print for such audiences, specifically how print reflected a push-pull dynamic between the continuity of scribal customs and an experimentation with new technologies. This was indicative of a moment when local intellectuals were formulating a visual language that negotiated their varied communal concerns, political motivations, and intellectual conceptions of a modern society.
Although the subject of this book centers on the Arab Nahda period in Ottoman Beirut, the book discussion considers a wider, globally comparative perspective by exploring print-related developments during this period in the Global South, specifically Southeast Asia. The conversation between Dr. Jan van der Putten and Auji will provide a new perspective from which we can consider the history of book culture during transitional periods such as the 19th century, and to explore how notions of modernity varied or overlapped in different regions, which also saw encounters between Islamic communities and Christian missionary groups.
Wednesday, Feb 22: Manuscript Cultures and the Start of an Indigenous Printing Industry in Maritime Southeast Asia
Time + Location: 6:00-7:30 PM, Building 37 (Center for the Arts + Humanities, AUB)
Speaker: Dr. Jan van der Putten (University of Hamburg)
The development of manuscript cultures in insular Southeast Asia may be viewed as the vernacularisation of Indian and Arabic traditions. These traditions brought the scripts which over time developed into localised scripts, and prompted the creation of written traditions and book culture in a region that continued to be predominantly oral in its orientation. The region is vast and characterised by an enormous linguistic and cultural diversity of communities which in the premodern era were connected through religious and mercantile networks.
In this talk I will concisely introduce some of the most conspicuous manuscript traditions of the region and try to sketch the position of an indigenous book production starting in the second half of the 19th century. This budding printing industry developed in the shadow of the British and Dutch colonial authorities and was propelled by the relations Muslim communities maintained with the Middle East.
About the Speaker:
Jan van der Putten is Professor Austronesistik in the Department of Southeast Asia (Asien-Afrika-Institut) at the University of Hamburg where he teaches on Southeast Asian literatures and cultures. Traditional Malay writing is one of his main research areas and he is a member of the Centre for the Study of Manuscript Cultures at the University of Hamburg supervising a research project about the Changing Practices of the 19th-century Malay Manuscript Economy. He also ventures into other types and periods of Malay-language cultural traditions where he explores the meaning of traditional and popular Malay texts and how these texts are disseminated among peoples and exchanged between cultures.
Recent publications include ‘Dirty Dancing’ and Malay anxieties: the changing context of Malay Ronggeng in the first half of the twentieth century’, ‘Going Against the Tide: The Politics of language Standardisation in Indonesia’, ‘Malaiische Erotika: Biedere Sexualethik in obszönen Versen’, and Translation in Asia. Theories, Practices, Histories (co-edited with Ronit Ricci, 2011).
Events Organized by:
Hala Auji, 2016-17 CAH Faculty Fellow & Assistant Professor of Islamic Art, Fine Arts and Art History, AUB, firstname.lastname@example.org
You can view the program’s curriculum here: curriculum_ma_arthistorycurating
Visit the department website to learn more about us: https://www.aub.edu.lb/fas/faah/Academics/Pages/ma-art-curating.aspx
To apply, visit: https://graduateadmissions.aub.edu.lb/
AUB Graduate Application Deadlines for Fall 2017-18: Feb. 10, 2017 + Apr. 3, 2017