Join us on Wednesday, April 5 at 6:00 pm in Auditorium A, West Hall for a public lecture entitled “The Trouble with Mobility: The Complex History of the So-Called Indian Wedding Chair” by Nancy Um, Associate Professor of Islamic art at Binghamton University, which is part of the AUB Art Galleries and the Department of Fine Arts and Art History’s Jabre Lecture Series in Art History and Curating .
Ottoman Print Culture and the Rise of the Image: Everyday Life and the Historical Past in Ottoman Illustrated Journals
Thurs., April 21, 2016 | 6:00 pm | College Hall, B1 | AUB
This lecture is part of a broader project that investigates photography in the Ottoman Empire with particular focus on the illustrated journals of the Abdülhamid era (1876-1909). The aim is to distinguish the status of photography in the Ottoman domain with reference to a broader and variegated environment of medial production, dissemination and reception. Rather than approaching the Ottoman photographic material as discrete objects of pure aesthetic and connoisseurial interest, or taking them as confirmatory evidence of all-pervading ideologies, the study follows and historicizes the traces of these images in the context of infinite, quotidian reproducibility, as they were produced, redeployed, collated with texts, and disseminated in the pages of the illustrated journals. It proposes to see these images as the product of changing medial practices and protocols that extended from the Hamidian archive and gift albums, to newspaper causerie, snapshots, postcards, illustrated textbooks and dime novels. The mechanically reproduced images in question demanded new systems of value and new rhetorical strategies in the course of their deployment, and, as they were spilled out in the Ottoman terrain, they signaled the rise of a changing experience of reading texts and images.
Ahmet Ersoy is Associate Professor at the History Department at Boğaziçi University, Istanbul. His research involves the cultural history of the Late Ottoman Empire with a special focus on visuality and its links with rising discourses of locality and authenticity during a period of westernizing change. He is the author of Architecture and the Late Ottoman Historical Imaginary: Reconfiguring the Architectural Past in a Modernizing Empire (2015), and the co-editor, with Vangelis Kechriotis and Maciej Gorny, of Discourses of Collective Identity in Central and Southeastern Europe (1775-1945), vol. III (2010). His publications include “Ottoman Gothic: Evocations of the Medieval Past in Late Ottoman Architecture,” in Patrick J. Geary and Gábor Klaniczay (eds) Manufacturing Middle Ages: Entangled History of Medievalism in Nineteenth-Century Europe (2013), and “Architecture and the Search for Ottoman Origins in the Tanzimat Period,” in Muqarnas 24 (2007).
Event co-organized by CAMES and the Department of Fine Arts and Art History (FAAH), AUB.
Please contact Hala Auji, email@example.com for more information.
Dr. Venetia Porter, curator of Islamic and contemporary Middle Eastern art at the British Museum, will be delivering a public lecture entitled:
Disasters of War: The Inspiration of Goya
Thurs. April 14 | 5:00-6:30 pm | College Hall, Auditorium B1 | American University of Beirut
Artists of different worlds, Farideh Lashai from Iran, and the Chapman brothers from Britain found inspiration in Francisco Goya’s Los Desastres de la Guerra made between 1810 and 1820 depicting the atrocities of the long war between France and Spain. They engaged directly with Goya’s etchings creating new meanings. This lecture will discuss these two works, why Goya’s Disasters has proved so inspirational across time, and the multi-facetted ways in which war and its effects continue to be depicted by Lebanese and other artists of the Middle East.
Venetia Porter has been a curator at the British Museum since 1989, and works on the collections of Islamic and contemporary Middle Eastern art. Born in Beirut, she studied Arabic and Islamic art at the University of Oxford, and her Ph.D from the University of Durham, was on the history and architecture of medieval Yemen. Her research and publications have ranged across a variety of subjects from Arabic inscriptions to Middle Eastern art. She has curated two major exhibitions at the British Museum: Word into Art: Artists of the Modern Middle East, in 2006, which travelled to Dubai in 2008, and Hajj: journey to the heart of Islam (2012).
This talk is hosted by the AUB Art Galleries and co-organized by the Department of Fine Arts and Art History as part of the Jabre Lecture Series on Art History and Curating. The Jabre Lecture Series is made possible by a generous donation of Philippe Jabre. The series aims to present talks by distinguished professionals, local and international, to promote discussion and consideration of the intersections between art history and curating.
For more information about this lecture, please email Hala Auji at firstname.lastname@example.org